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Finally, it is possible to generalize Kirchhoff's current law to include a closed surface. By a closed surface we mean some set of elements completely contained within the surface that are interconnected. Si nce the current entering each elemenl with in the surface is equal to that leavi ng the element (i.e .. the element stores no nel charge), it fo llows that the current entering an il1lerconnection of elements is equal to thil l leaving the interconnection. Therefore, Ki rchhoff's current law can also be stated as fo llows: The algebra ic SllIll of the Cllrrellls

4.17 For th e circuit in Fig. P4. 17,

Variance Relation We can rewrite recursion (23.12) by using the vectors (8,F ) instead of the matrices - -I {C, C }. Using (23.17) and the notation (23.16), recursion (23.12) is equivalent to

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After you ve transferred your video to your computer, you need to tidy up the rough edges of your video production and turn your podcast into a masterpiece. Well, we can hope, can t we As discussed in the audio chapter, you should edit with an eye on three things: content, quality, and convenience. First and foremost, you want your podcast to have good content from start to finish. If you are interviewing a guest for your podcast, you probably had a long list of questions to ask. When you re reviewing your footage, try to keep your distance from the material, and only keep what works best. Of course, some guests may be fantastic, and you ll want to keep every syllable they utter. Often, however, you ll find that a few questions just didn t go anywhere or didn t reveal anything new (see the Ask the Right Questions side bar). If so, edit it out. With a few nimble edits, the pacing of a show can change dramatically, turning a mediocre show into a great show.

Figure 14.15 Each le type has its own saving options. All three offer you the option to resize the les as they re processed. This is extremely convenient. For example, I entered 1800 px into the width and height boxes in Figure 14.15 because my originals are already set to a resolution of 300 ppi (pixels per inch) in ACR. The

Sometimes a couple of ho-hum images can be combined together to make a dramatic collage. This makeover combines a rather typical lighthouse image with an interesting (but otherwise not spectacular) dune-grass image to make a very interesting collage. Note first that these two images, while not shot in the same location, are related environmentally; they both occupy coastal habitats, so they naturally belong together. Any effective collage or montage starts with selecting good image components that generally fit together in terms of content, color, brightness, and contrast. Rarely does the finished image exactly match the one I have in my mind to start; it evolves.

You see a cursor at the insertion point. Type Enter. You can continue to type more lines Press Enter again to end the command. You can location on the screen to start a new text

In the 3D Performance Settings section (AutoCAD only), click the Performance Settings button to open the Adaptive Degradation and Performance Tuning dialog box, as shown in Figure A.8.

The preceding sec tion s of thi s chapter have illustrated that the exponential Fourier series can be used to represent a periodic signal for all time. We will now consider a technique for represent ing an aperiodic signal for aU values of time. Suppose that an aperiodic signal J(/) is as shown in Fig. 15. I 3a. We now construct a new signal Jp(/ ) that is identi cal to J(I) in th e interval - T / 2 to T / 2 but is periodic with period T, as shown in Fig. 15 . I 3b. Since Jp(l) is periodi c, it can be represe nted in the interval - 00 to 00 by an exponenti al Fourier series;

Much as the introduction of layer effects in Photoshop 6.0 allowed you to apply styling such as drop shadows to your layers nondestructively, Smart Filters let you apply any of Photoshop s available range of filters in a nondestructive, reeditable way. The catch is that you can only apply Smart Filters to Smart Objects; hence the reason they are covered in this chapter. If you want to apply a Smart Filter to a regular layer, you first need to turn it into a Smart Object.

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